Art Deco Illustration Woman Using Spinning Wheel to Make Clouds
-
![[ 1920s Japan - Japanese Women in Kimono ] — Hikifuda (引札), a print used as an advertising flyer by local shops. They were popular from the 1800s through the 1920s. Three women in kimono, two with modern hairstyles stand on the street. Part of a car is visible, re-inforcing the contrast of the modern and traditional.
20th century vintage advertising flyer. - Stock Image](https://h7.alamy.com/comp/2BKT6R5/1920s-japan-japanese-women-in-kimono-hikifuda-a-print-used-as-an-advertising-flyer-by-local-shops-they-were-popular-from-the-1800s-through-the-1920s-three-women-in-kimono-two-with-modern-hairstyles-stand-on-the-street-part-of-a-car-is-visible-re-inforcing-the-contrast-of-the-modern-and-traditional-20th-century-vintage-advertising-flyer-2BKT6R5.jpg)
[ 1920s Japan - Japanese Women in Kimono ] — Hikifuda (引札), a print used as an advertising flyer past local shops. They were popular from the 1800s through the 1920s. Three women in kimono, ii with modern hairstyles stand on the street. Part of a car is visible, re-inforcing the contrast of the modern and traditional.
20th century vintage advertising flyer. [ 1920s Nihon - Japanese Women in Kimono ] — Hikifuda (引札), a print used every bit an advert flyer by local shops. They were popular from the 1800s through the 1920s. Three women in kimono, two with mod hairstyles stand on the street. Office of a car is visible, re-inforcing the dissimilarity of the modernistic and traditional.
20th century vintage advertising flyer. https://www.alamy.com/licenses-and-pricing/?5=1 https://world wide web.alamy.com/1920s-japan-japanese-women-in-kimono-hikifuda-a-print-used-as-an-advertising-flyer-by-local-shops-they-were-popular-from-the-1800s-through-the-1920s-3-women-in-kimono-two-with-mod-hairstyles-stand up-on-the-street-part-of-a-car-is-visible-re-inforcing-the-dissimilarity-of-the-modern-and-traditional-20th-century-vintage-advertising-flyer-image356418025.html -
Nihon - women vote. Although women's advocacy has been nowadays in Nihon since the 19th century, women'southward suffrage in Nihon blossomed during the turbulent, 1920's inter-war period. Japan - women vote. Although women'southward advocacy has been nowadays in Japan since the 19th century, women'southward suffrage in Japan blossomed during the turbulent, 1920's inter-state of war period. https://world wide web.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/stock-photograph-japan-women-vote-although-womens-advocacy-has-been-present-in-nihon-90845861.html -
geography / travel, Nihon, people, women, geishas in ricefield, 1920s, geography / travel, Nippon, people, women, geishas in ricefield, 1920s, https://www.alamy.com/licenses-and-pricing/?5=one https://www.alamy.com/stock-photo-geography-travel-nihon-people-women-geishas-in-ricefield-1920s-19892175.html -
Two Musicians and Dancing Girl, Yokonawa, Japan, Hand-Colored Magic Lantern Slide, Newton & Visitor, 1920 Two Musicians and Dancing Daughter, Yokonawa, Nihon, Hand-Colored Magic Lantern Slide, Newton & Company, 1920 https://www.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/two-musicians-and-dancing-girl-yokonawa-japan-hand-colored-magic-lantern-slide-newton-company-1920-image209786489.html -
An early 20th century colour print of Japanese women and a child admiring an iris garden circa 1920 by the photographer Walter Weston An early 20th century colour print of Japanese women and a kid admiring an iris garden circa 1920 by the photographer Walter Weston https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/an-early-20th-century-color-print-of-japanese-women-and-a-kid-admiring-an-iris-garden-circa-1920-by-the-lensman-walter-weston-image402182612.html -
Japanese women past the Zeppelin hangar, Kasumigaura, Japan, 1929 (1933). Artist: Unknown Japanese women by the Zeppelin hangar, Kasumigaura, Japan, 1929 (1933). Artist: Unknown https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/stock-photograph-japanese-women-by-the-zeppelin-hangar-kasumigaura-japan-1929-1933-28832918.html -
1920s FOUR Young JAPANESE WOMEN WEARING KIMONO Grinning LOOKING AT CAMERA 1920s FOUR YOUNG JAPANESE WOMEN WEARING KIMONO Smile LOOKING AT Camera https://www.alamy.com/licenses-and-pricing/?5=one https://world wide web.alamy.com/stock-photo-1920s-four-young-japanese-women-wearing-kimono-smile-looking-at-31555503.html -
A group of women's rights activists, advocating among others for women's suffrage in Japan, at a classroom meeting. A group of women'south rights activists, advocating among others for women's suffrage in Japan, at a classroom meeting. https://world wide web.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/a-grouping-of-womens-rights-activists-advocating-among-others-for-womens-suffrage-in-japan-at-a-classroom-coming together-image247117588.html -
Wife of Japan 'due south richest man who is visiting French republic and England in the Spring . Baroness Hachiroemon Mitsui , Tokio 's foremost hostess , who possesses the patrician type of face that the Japanese most admire in a woman . 21 January 1925 Married woman of Japan 's richest human who is visiting French republic and England in the Spring . Baroness Hachiroemon Mitsui , Tokio 's foremost hostess , who possesses the patrician type of face that the Japanese most admire in a adult female . 21 January 1925 https://www.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/married woman-of-japan-s-richest-homo-who-is-visiting-french republic-and-england-in-the-jump-baroness-hachiroemon-mitsui-tokio-s-foremost-hostess-who-possesses-the-patrician-type-of-face up-that-the-japanese-well-nigh-admire-in-a-woman-21-january-1925-image359825371.html -
You cannot sympathise Japan without understanding the Japanese woman', c1900, (1921). Artist: Julian Leonard Street. Y'all cannot understand Nihon without understanding the Japanese woman', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-you-cannot-understand-nihon-without-understanding-the-japanese-woman-135312588.html -
Frauen beim Spinnen in Japan. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, women, sitting, yarning, spinning bike, arts and crafts, hand coloured glass slide Frauen beim Spinnen in Japan. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, women, sitting, yarning, spinning cycle, craft, paw coloured glass slide https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/stock-photo-frauen-beim-spinnen-in-japan-asia-japan-asiatic-travel-1910s-1920s-106639630.html -
Itsukushima Shrine and Seto Inland Body of water, Miyajima, Nippon, Hand-Colored Magic Lantern Slide, Newton & Company, 1925 Itsukushima Shrine and Seto Inland Bounding main, Miyajima, Japan, Hand-Colored Magic Lantern Slide, Newton & Company, 1925 https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/itsukushima-shrine-and-seto-inland-sea-miyajima-nihon-mitt-colored-magic-lantern-slide-newton-company-1925-image209786616.html -
Zwei moderne junge Frauen in Nippon. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, woman, women, young, modern, stylish, fashion, Kimono, hand coloured glass slide Zwei moderne junge Frauen in Japan. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, woman, women, young, mod, fashionable, manner, Kimono, hand coloured glass slide https://world wide web.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/stock-photo-zwei-moderne-junge-frauen-in-japan-asia-nippon-asiatic-travel-1910s-106639674.html -
Woman makes a sand painting, A seated adult female (actor Segawa Kikunojô 5 (1802-32) in an unknown woman role), makes a sand painting on a sail of lacquerware. Next to the painting are two spoons, a wooden spatula and a paint box on the far left. The painting represents Mount Fuji, seen from the beach of Matsu no Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new year's day of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With 2 poems., Kunisada (I), Utagawa (mentioned on object), Nihon, 1820, paper, color woodcut Woman makes a sand painting, A seated adult female (player Segawa Kikunojô 5 (1802-32) in an unknown woman role), makes a sand painting on a sheet of lacquerware. Next to the painting are 2 spoons, a wooden spatula and a paint box on the far left. The painting represents Mount Fuji, seen from the beach of Matsu no Shimabara. The cloud next to Fuji, in the form of a dragon, refers to the new yr of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, peradventure earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Nihon, 1820, newspaper, colour woodcut https://world wide web.alamy.com/licenses-and-pricing/?v=one https://world wide web.alamy.com/woman-makes-a-sand-painting-a-seated-woman-actor-segawa-kikunoj-v-1802-32-in-an-unknown-woman-role-makes-a-sand-painting-on-a-sheet-of-lacquerware-side by side-to-the-painting-are-two-spoons-a-wooden-spatula-and-a-paint-box-on-the-far-left-the-painting-represents-mount-fuji-seen-from-the-embankment-of-matsu-no-shimabara-the-cloud-next-to-fuji-in-the-form-of-a-dragon-refers-to-the-new-year-of-the-dragon-making-sand-paintings-was-a-popular-pastime-for-women-from-the-1920s-onwards-peradventure-earlier-with-ii-poems-kunisada-i-utagawa-mentioned-on-object-japan-1820-newspaper-colour-woodcut-image261402873.html -
Eine Familie in Japan beim Mittagessen. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, annal, Carl Simon, history, historical, family, household, man, women, kneeling, ground, eating, luncheon, hand coloured drinking glass slide Eine Familie in Japan beim Mittagessen. Asia, Nihon, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, family, household, man, women, kneeling, ground, eating, tiffin, manus coloured drinking glass slide https://www.alamy.com/licenses-and-pricing/?v=one https://world wide web.alamy.com/stock-photo-eine-familie-in-japan-beim-mittagessen-asia-nihon-asiatic-travel-1910s-106639686.html -
Modern girls ('modan gaaru', likewise shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'due south equivalent of America'due south flappers, India'southward kallege ladki, Germany's neue Frauen, France's garconnes, or China's modeng xiaojie. The menstruation was characterized by the emergence of working class young women with access to money and consumer goods. Modern girls were depicted every bit living in the cities, beingness financially and emotionally independent and choosing their ain suitors. Modern girls ('modan gaaru', likewise shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, India's kallege ladki, Germany's neue Frauen, France's garconnes, or Communist china'due south modeng xiaojie. The menstruation was characterized by the emergence of working class young women with access to money and consumer goods. Modern girls were depicted equally living in the cities, being financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/modern-girls-modan-gaaru-too-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-past-the-emergence-of-working-class-young-women-with-admission-to-money-and-consumer-goods-modern-girls-were-depicted-equally-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273485.html -
Memsahibs show off the latest fashions at the races on Viceroy'due south Cup Day in Calcutta. Memsahibs show off the latest fashions at the races on Viceroy's Cup Day in Calcutta. https://www.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/memsahibs-show-off-the-latest-fashions-at-the-races-on-viceroys-loving cup-day-in-calcutta-image372286600.html -
Modern girls ('modan gaaru', besides shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Nippon's equivalent of America's flappers, India's kallege ladki, Germany's neue Frauen, France's garçonnes, or Red china's modeng xiaojie. The period was characterized past the emergence of working course young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, Republic of india's kallege ladki, Deutschland's neue Frauen, France's garçonnes, or Mainland china'southward modeng xiaojie. The menstruation was characterized by the emergence of working form young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their ain suitors. https://world wide web.alamy.com/licenses-and-pricing/?five=1 https://www.alamy.com/mod-girls-modan-gaaru-as well-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garonnes-or-chinas-modeng-xiaojie-the-menses-was-characterized-by-the-emergence-of-working-class-young-women-with-access-to-money-and-consumer-goods-mod-girls-were-depicted-every bit-living-in-the-cities-beingness-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344272139.html -
Viscountess Matsudaira . Portrait . 1925 Viscountess Matsudaira . Portrait . 1925 https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/viscountess-matsudaira-portrait-1925-image359918418.html -
![[ 1920s Japan - Japanese Women and Children Celebrating the Star Festival ] — Hikifuda (引札), a print used as an advertising flyer by local shops. They were popular from the 1800s through the 1920s. A woman in kimono is writing calligraphy on a sheet of paper while two children attach papers to a branch of bamboo held by another woman to celebrate Tanabata, the Japanese star festival.
20th century vintage advertising flyer. - Stock Image](https://h7.alamy.com/comp/2BKT686/1920s-japan-japanese-women-and-children-celebrating-the-star-festival-hikifuda-a-print-used-as-an-advertising-flyer-by-local-shops-they-were-popular-from-the-1800s-through-the-1920s-a-woman-in-kimono-is-writing-calligraphy-on-a-sheet-of-paper-while-two-children-attach-papers-to-a-branch-of-bamboo-held-by-another-woman-to-celebrate-tanabata-the-japanese-star-festival-20th-century-vintage-advertising-flyer-2BKT686.jpg)
[ 1920s Japan - Japanese Women and Children Jubilant the Star Festival ] — Hikifuda (引札), a print used as an advertizing flyer by local shops. They were popular from the 1800s through the 1920s. A woman in kimono is writing calligraphy on a sail of paper while two children attach papers to a branch of bamboo held past some other woman to celebrate Tanabata, the Japanese star festival.
20th century vintage advertising flyer. [ 1920s Nihon - Japanese Women and Children Celebrating the Star Festival ] — Hikifuda (引札), a print used as an ad flyer past local shops. They were popular from the 1800s through the 1920s. A woman in kimono is writing calligraphy on a sheet of paper while two children attach papers to a branch of bamboo held by another woman to gloat Tanabata, the Japanese star festival.
20th century vintage advertising flyer. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-japan-japanese-women-and-children-jubilant-the-star-festival-hikifuda-a-print-used-as-an-advertising-flyer-past-local-shops-they-were-pop-from-the-1800s-through-the-1920s-a-woman-in-kimono-is-writing-calligraphy-on-a-sheet-of-paper-while-2-children-attach-papers-to-a-branch-of-bamboo-held-by-another-woman-to-celebrate-tanabata-the-japanese-star-festival-20th-century-vintage-advertising-flyer-image356417606.html -
Mod girls ('modan gaaru', too shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'southward flappers, Bharat'south kallege ladki, Federal republic of germany's neue Frauen, France's garconnes, or China's modeng xiaojie. The period was characterized by the emergence of working class immature women with access to coin and consumer goods. Modern girls were depicted as living in the cities, beingness financially and emotionally independent and choosing their own suitors. Modern girls ('modan gaaru', besides shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'due south equivalent of America's flappers, India'due south kallege ladki, Deutschland's neue Frauen, France'southward garconnes, or Cathay's modeng xiaojie. The menses was characterized past the emergence of working class young women with access to money and consumer appurtenances. Modern girls were depicted equally living in the cities, existence financially and emotionally independent and choosing their own suitors. https://world wide web.alamy.com/licenses-and-pricing/?five=1 https://www.alamy.com/modernistic-girls-modan-gaaru-likewise-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-menstruum-was-characterized-by-the-emergence-of-working-class-immature-women-with-access-to-money-and-consumer-goods-modern-girls-were-depicted-as-living-in-the-cities-existence-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273481.html -
Celebrated photograph, geisha posing, around 1928 Historic photo, geisha posing, effectually 1928 https://www.alamy.com/licenses-and-pricing/?5=i https://www.alamy.com/stock-photo-historic-photo-geisha-posing-effectually-1928-31470653.html -
Modern girls ('modan gaaru', likewise shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Nippon'south equivalent of America'due south flappers, India'south kallege ladki, Frg's neue Frauen, French republic'due south garconnes, or China'due south modeng xiaojie. The period was characterized past the emergence of working class young women with access to money and consumer goods. Modern girls were depicted as living in the cities, existence financially and emotionally independent and choosing their own suitors. Modernistic girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'due south equivalent of America's flappers, India's kallege ladki, Germany's neue Frauen, French republic's garconnes, or China'southward modeng xiaojie. The period was characterized by the emergence of working course immature women with admission to coin and consumer goods. Modernistic girls were depicted as living in the cities, existence financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/modern-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-menses-was-characterized-by-the-emergence-of-working-class-young-women-with-access-to-money-and-consumer-goods-mod-girls-were-depicted-every bit-living-in-the-cities-being-financially-and-emotionally-contained-and-choosing-their-own-suitors-image344273484.html -
Woman makes a sand painting, A seated adult female (actor Segawa Kikunojô 5 (1802-32) in an unknown woman role), makes a sand painting on a sail of lacquerware. Next to the painting are 2 spoons, a wooden spatula and a pigment box on the far left. The painting represents Mountain Fuji, seen from the beach of Matsu no Shimabara. The deject next to Fuji, in the grade of a dragon, refers to the new year of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Japan, 1820, newspaper, colour woodcut, Woman makes a sand painting, A seated woman (actor Segawa Kikunojô 5 (1802-32) in an unknown woman part), makes a sand painting on a sheet of lacquerware. Adjacent to the painting are two spoons, a wooden spatula and a pigment box on the far left. The painting represents Mount Fuji, seen from the embankment of Matsu no Shimabara. The cloud adjacent to Fuji, in the form of a dragon, refers to the new year of the dragon. Making sand paintings was a popular pastime for women from the 1920s onwards, perhaps earlier. With two poems., Kunisada (I), Utagawa (mentioned on object), Japan, 1820, paper, colour woodcut, https://world wide web.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/adult female-makes-a-sand-painting-a-seated-woman-histrion-segawa-kikunoj-v-1802-32-in-an-unknown-woman-role-makes-a-sand-painting-on-a-canvass-of-lacquerware-next-to-the-painting-are-two-spoons-a-wooden-spatula-and-a-paint-box-on-the-far-left-the-painting-represents-mountain-fuji-seen-from-the-beach-of-matsu-no-shimabara-the-cloud-adjacent-to-fuji-in-the-form-of-a-dragon-refers-to-the-new-yr-of-the-dragon-making-sand-paintings-was-a-popular-pastime-for-women-from-the-1920s-onwards-peradventure-earlier-with-two-poems-kunisada-i-utagawa-mentioned-on-object-nippon-1820-paper-colour-woodcut-image350005688.html -
You cannot understand Nippon without understanding the Japanese woman', c1900, (1921). Artist: Julian Leonard Street. You cannot sympathise Nihon without understanding the Japanese woman', c1900, (1921). Creative person: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/you-cannot-empathise-nippon-without-understanding-the-japanese-adult female-c1900-1921-artist-julian-leonard-street-image262795659.html -
1920s TWO JAPANESE YOUNG WOMEN POSING IN KIMONO Smiling LOOKING AT Camera 1920s Ii JAPANESE Young WOMEN POSING IN KIMONO Grinning LOOKING AT Camera https://world wide web.alamy.com/licenses-and-pricing/?five=1 https://world wide web.alamy.com/stock-photograph-1920s-ii-japanese-young-women-posing-in-kimono-smiling-looking-at-31555508.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, India'due south kallege ladki, Germany'due south neue Frauen, France's garçonnes, or China's modeng xiaojie. The period was characterized by the emergence of working grade young women with access to money and consumer goods. Modern girls were depicted equally living in the cities, being financially and emotionally contained and choosing their own suitors. Modernistic girls ('modan gaaru', likewise shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Nippon's equivalent of America's flappers, Bharat'due south kallege ladki, Deutschland's neue Frauen, France's garçonnes, or China'due south modeng xiaojie. The period was characterized past the emergence of working class immature women with admission to money and consumer goods. Modern girls were depicted equally living in the cities, being financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/modernistic-girls-modan-gaaru-likewise-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garonnes-or-chinas-modeng-xiaojie-the-menses-was-characterized-by-the-emergence-of-working-class-young-women-with-admission-to-money-and-consumer-goods-modern-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-ain-suitors-image344272857.html -
'Tai-no-ura - fishing boats, men and women with nets and baskets', c1900, (1921). Artist: Julian Leonard Street. 'Tai-no-ura - fishing boats, men and women with nets and baskets', c1900, (1921). Creative person: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?5=i https://www.alamy.com/stock-photograph-tai-no-ura-line-fishing-boats-men-and-women-with-nets-and-baskets-c1900-135312615.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, Republic of india's kallege ladki, Germany's neue Frauen, French republic's garconnes, or People's republic of china's modeng xiaojie. The menstruation was characterized past the emergence of working class young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, Republic of india'south kallege ladki, Germany's neue Frauen, France's garconnes, or China'southward modeng xiaojie. The period was characterized by the emergence of working form young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/modern-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-catamenia-was-characterized-by-the-emergence-of-working-form-young-women-with-access-to-money-and-consumer-appurtenances-modernistic-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273473.html -
Frauenrechtlerinnen im Japan der 1920er/1930er Jahre. Asia, Nippon, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, woman, women, grouping, female rights, women's liberation, ideology, mitt coloured drinking glass slide Frauenrechtlerinnen im Nippon der 1920er/1930er Jahre. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, annal, Carl Simon, history, historical, Japanese, woman, women, group, female person rights, women's liberation, ideology, hand coloured glass slide https://www.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/stock-photo-frauenrechtlerinnen-im-japan-der-1920er1930er-jahre-asia-japan-asiatic-106639798.html -
Typical Japanese geisha girl 29 Oct 1920 Typical Japanese geisha girl 29 October 1920 https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/typical-japanese-geisha-girl-29-october-1920-image359916240.html -
![[ 1920s Japan - Japanese Women in Kimono ] — An advertising poster showing a woman and young girl in kimono and traditional hairstyles.
20th century vintage advertising poster. - Stock Image](https://h7.alamy.com/comp/2BKT5JW/1920s-japan-japanese-women-in-kimono-an-advertising-poster-showing-a-woman-and-young-girl-in-kimono-and-traditional-hairstyles-20th-century-vintage-advertising-poster-2BKT5JW.jpg)
[ 1920s Nihon - Japanese Women in Kimono ] — An advertizing poster showing a adult female and young girl in kimono and traditional hairstyles.
20th century vintage advertising poster. [ 1920s Japan - Japanese Women in Kimono ] — An ad poster showing a woman and immature girl in kimono and traditional hairstyles.
20th century vintage advertizing affiche. https://www.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/1920s-nippon-japanese-women-in-kimono-an-advertizement-affiche-showing-a-woman-and-young-girl-in-kimono-and-traditional-hairstyles-20th-century-vintage-advertising-poster-image356417121.html -
Empress Nagako of Japan in her coronation garments, c1924. Artist: Unknown Empress Nagako of Nippon in her coronation garments, c1924. Artist: Unknown https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/empress-nagako-of-nihon-in-her-coronation-garments-c1924-artist-unknown-image262728144.html -
''Iii generations of women moving a cart with grandmother at the rear, pushing', c1900, (1921). Artist: Julian Leonard Street. ''Iii generations of women moving a cart with grandmother at the rear, pushing', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/stock-photograph-3-generations-of-women-moving-a-cart-with-grandmother-at-the-rear-135312622.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, Republic of india's kallege ladki, Germany's neue Frauen, France'due south garconnes, or China's modeng xiaojie. The menstruum was characterized by the emergence of working grade young women with access to money and consumer goods. Modern girls were depicted every bit living in the cities, being financially and emotionally independent and choosing their ain suitors. Modern girls ('modan gaaru', likewise shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'south equivalent of America's flappers, India's kallege ladki, Frg's neue Frauen, France's garconnes, or Cathay's modeng xiaojie. The period was characterized by the emergence of working class immature women with admission to coin and consumer goods. Modern girls were depicted as living in the cities, beingness financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?5=one https://www.alamy.com/modern-girls-modan-gaaru-likewise-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-past-the-emergence-of-working-class-young-women-with-admission-to-money-and-consumer-appurtenances-modernistic-girls-were-depicted-as-living-in-the-cities-beingness-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273472.html -
Poster fine art in Nippon between approximately 1925 and 1941 mirrors the rapid militarisation of society and the growth of militarism, statism and fascism during the Showa Era. In the 1920s expo affiche art features elements of modern art and even Art Deco. Themes are whimsical and outward looking, representing Nippon's growing importance and influence in the globe of international commerce and art. By the 1930s this kind of poster art had grown much more than bleak, less concerned with human themes and more directed towards statism and social control. Feminine imagery disappears to exist replaced by wheels Poster art in Japan betwixt approximately 1925 and 1941 mirrors the rapid militarisation of social club and the growth of militarism, statism and fascism during the Showa Era. In the 1920s expo poster art features elements of modernistic art and even Fine art Deco. Themes are whimsical and outward looking, representing Nihon'southward growing importance and influence in the globe of international commerce and art. Past the 1930s this kind of poster art had grown much more than bleak, less concerned with human themes and more directed towards statism and social command. Feminine imagery disappears to be replaced by wheels https://www.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/poster-art-in-japan-betwixt-approximately-1925-and-1941-mirrors-the-rapid-militarisation-of-social club-and-the-growth-of-militarism-statism-and-fascism-during-the-showa-era-in-the-1920s-expo-poster-art-features-elements-of-mod-art-and-even-fine art-deco-themes-are-whimsical-and-outward-looking-representing-japans-growing-importance-and-influence-in-the-globe-of-international-commerce-and-art-by-the-1930s-this-kind-of-affiche-art-had-grown-much-more-bleak-less-concerned-with-man-themes-and-more than-directed-towards-statism-and-social-control-feminine-imagery-disappears-to-exist-replaced-by-wheels-image344275241.html -
Ein traditioneller Tanz kommt zur Aufführung, begleitet von zwei Musikantinnen. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, dancer, woman, women, music, trip the light fantastic, dancing, playing, traditional, garden, performing, performance, mitt coloured drinking glass slide Ein traditioneller Tanz kommt zur Aufführung, begleitet von zwei Musikantinnen. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, annal, Carl Simon, history, historical, Japanese, dancer, woman, women, music, dance, dancing, playing, traditional, garden, performing, performance, hand coloured glass slide https://world wide web.alamy.com/licenses-and-pricing/?five=one https://world wide web.alamy.com/stock-photo-ein-traditioneller-tanz-kommt-zur-auffhrung-begleitet-von-zwei-musikantinnen-106639780.html -
![This 1937 adveritisement represents a 'moga' or 'modern girl' as envisaged in Japan in the 1930s. Taken from the Weekly Asahi (Rising Sun), the beauty seen here can not be other than a platinum blonde as in the Hollywood movies, representing a contemporaneous enthusiasm for the West and its standards. 'Moga' [モガ] is a Japanese term for modern girl from the 1920s (mobo [モボ] is the male term for modern boy) appeared in the Taishô period [大正時代 Taishou jidai ; July 1912 to December 1926]. This Japanese model followed the Western fashion and lifestyle to the early 1930s, from the garçonne in Fran - Stock Image](https://h7.alamy.com/comp/2B02M0K/this-1937-adveritisement-represents-a-moga-or-modern-girl-as-envisaged-in-japan-in-the-1930s-taken-from-the-weekly-asahi-rising-sun-the-beauty-seen-here-can-not-be-other-than-a-platinum-blonde-as-in-the-hollywood-movies-representing-a-contemporaneous-enthusiasm-for-the-west-and-its-standards-moga-is-a-japanese-term-for-modern-girl-from-the-1920s-mobo-is-the-male-term-for-modern-boy-appeared-in-the-taish-period-taishou-jidai-july-1912-to-december-1926-this-japanese-model-followed-the-western-fashion-and-lifestyle-to-the-early-1930s-from-the-garonne-in-fran-2B02M0K.jpg)
This 1937 adveritisement represents a 'moga' or 'mod girl' as envisaged in Nippon in the 1930s. Taken from the Weekly Asahi (Rising Sun), the dazzler seen here can not be other than a platinum blonde equally in the Hollywood movies, representing a contemporaneous enthusiasm for the West and its standards. 'Moga' [モガ] is a Japanese term for modern girl from the 1920s (mobo [モボ] is the male person term for mod boy) appeared in the Taishô catamenia [大正時代 Taishou jidai ; July 1912 to December 1926]. This Japanese model followed the Western style and lifestyle to the early 1930s, from the garçonne in Fran This 1937 adveritisement represents a 'moga' or 'modern girl' every bit envisaged in Japan in the 1930s. Taken from the Weekly Asahi (Rising Sun), the beauty seen hither can not exist other than a platinum blonde as in the Hollywood movies, representing a contemporaneous enthusiasm for the Due west and its standards. 'Moga' [モガ] is a Japanese term for modern daughter from the 1920s (mobo [モボ] is the male term for mod boy) appeared in the Taishô period [大正時代 Taishou jidai ; July 1912 to December 1926]. This Japanese model followed the Western mode and lifestyle to the early 1930s, from the garçonne in Fran https://world wide web.alamy.com/licenses-and-pricing/?5=1 https://world wide web.alamy.com/this-1937-adveritisement-represents-a-moga-or-modernistic-girl-as-envisaged-in-japan-in-the-1930s-taken-from-the-weekly-asahi-rising-sun-the-dazzler-seen-hither-can-non-be-other-than-a-platinum-blonde-as-in-the-hollywood-movies-representing-a-contemporaneous-enthusiasm-for-the-w-and-its-standards-moga-is-a-japanese-term-for-modern-daughter-from-the-1920s-mobo-is-the-male-term-for-modern-boy-appeared-in-the-taish-period-taishou-jidai-july-1912-to-december-1926-this-japanese-model-followed-the-western-manner-and-lifestyle-to-the-early on-1930s-from-the-garonne-in-fran-image344266963.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Nippon'due south equivalent of America'southward flappers, Bharat'due south kallege ladki, Federal republic of germany'due south neue Frauen, France'due south garconnes, or China'south modeng xiaojie. The period was characterized by the emergence of working class young women with admission to money and consumer goods. Modernistic girls were depicted as living in the cities, being financially and emotionally contained and choosing their ain suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'south flappers, India's kallege ladki, Germany'due south neue Frauen, France'due south garconnes, or Cathay's modeng xiaojie. The period was characterized past the emergence of working grade young women with access to money and consumer goods. Modern girls were depicted equally living in the cities, being financially and emotionally contained and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mod-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-course-young-women-with-access-to-money-and-consumer-appurtenances-mod-girls-were-depicted-as-living-in-the-cities-beingness-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273506.html -
![[ 1920s Japan - Japanese Dressmaking Class ] — Japanese dressmaking (wasai) at a Japanese school for women. 20th century vintage postcard. - Stock Image](https://h7.alamy.com/comp/WP6KTN/1920s-japan-japanese-dressmaking-class-japanese-dressmaking-wasai-at-a-japanese-school-for-women-20th-century-vintage-postcard-WP6KTN.jpg)
[ 1920s Japan - Japanese Dressmaking Class ] — Japanese dressmaking (wasai) at a Japanese school for women. 20th century vintage postcard. [ 1920s Nippon - Japanese Dressmaking Class ] — Japanese dressmaking (wasai) at a Japanese schoolhouse for women. 20th century vintage postcard. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-japan-japanese-dressmaking-class-japanese-dressmaking-wasai-at-a-japanese-school-for-women-20th-century-vintage-postcard-image271825253.html -
A Japanese adult female dressing her hair, 1920s (1930).Creative person: Hashiguchi Goyo A Japanese woman dressing her pilus, 1920s (1930).Artist: Hashiguchi Goyo https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/a-japanese-woman-dressing-her-hair-1920s-1930artist-hashiguchi-goyo-image262756385.html -
''Big family of young fisherman at Nabuto, with nine children', c1900, (1921). Artist: Julian Leonard Street. ''Big family of young fisherman at Nabuto, with nine children', c1900, (1921). Artist: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/stock-photograph-big-family-of-young-fisherman-at-nabuto-with-ix-children-c1900-135312610.html -
Bei der Schneiderin läßt sich eine junge Frau in Japan einen Kimono arbeiten. Asia, Nippon, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, Geisha, woman, women, taylor, taylor made, Kimono, garment, sowing, craft, hand coloured glass slide Bei der Schneiderin läßt sich eine junge Frau in Japan einen Kimono arbeiten. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, Geisha, woman, women, taylor, taylor fabricated, Kimono, garment, sowing, arts and crafts, hand coloured glass slide https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-bei-der-schneiderin-lt-sich-eine-junge-frau-in-nippon-einen-kimono-106639718.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, India's kallege ladki, Deutschland'southward neue Frauen, French republic'south garconnes, or China's modeng xiaojie. The period was characterized by the emergence of working class young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Nippon's equivalent of America's flappers, India's kallege ladki, Frg'due south neue Frauen, France'south garconnes, or China's modeng xiaojie. The menstruation was characterized by the emergence of working grade young women with admission to money and consumer appurtenances. Modernistic girls were depicted as living in the cities, being financially and emotionally contained and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/modernistic-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-class-immature-women-with-access-to-money-and-consumer-appurtenances-modern-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-contained-and-choosing-their-own-suitors-image344273508.html -
![[ 1920s Japan - Western Dressmaking Class in Japan ] — Western style dressmaking at a Japanese school for women. 20th century vintage postcard. - Stock Image](https://h7.alamy.com/comp/WP6KY5/1920s-japan-western-dressmaking-class-in-japan-western-style-dressmaking-at-a-japanese-school-for-women-20th-century-vintage-postcard-WP6KY5.jpg)
[ 1920s Nihon - Western Dressmaking Class in Japan ] — Western way dressmaking at a Japanese school for women. 20th century vintage postcard. [ 1920s Nihon - Western Dressmaking Class in Japan ] — Western style dressmaking at a Japanese school for women. 20th century vintage postcard. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/1920s-japan-western-dressmaking-course-in-japan-western-style-dressmaking-at-a-japanese-school-for-women-20th-century-vintage-postcard-image271825321.html -
Mod girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'due south equivalent of America's flappers, India'southward kallege ladki, Frg's neue Frauen, France's garconnes, or Mainland china's modeng xiaojie. The period was characterized by the emergence of working course young women with admission to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally contained and choosing their own suitors. Modernistic girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'south equivalent of America's flappers, Republic of india's kallege ladki, Germany's neue Frauen, France's garconnes, or China's modeng xiaojie. The menstruum was characterized by the emergence of working form immature women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their ain suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/modern-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-course-immature-women-with-admission-to-money-and-consumer-appurtenances-modern-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344274273.html -
Modern girls ('modan gaaru', too shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'due south flappers, India's kallege ladki, Federal republic of germany'southward neue Frauen, French republic's garconnes, or China's modeng xiaojie. The period was characterized by the emergence of working class young women with admission to money and consumer goods. Modern girls were depicted as living in the cities, existence financially and emotionally independent and choosing their ain suitors. Modern girls ('modan gaaru', besides shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'south equivalent of America'southward flappers, Republic of india'south kallege ladki, Germany's neue Frauen, France's garconnes, or Mainland china's modeng xiaojie. The flow was characterized past the emergence of working form immature women with access to coin and consumer appurtenances. Modernistic girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/modern-girls-modan-gaaru-likewise-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-past-the-emergence-of-working-class-young-women-with-access-to-coin-and-consumer-appurtenances-modern-girls-were-depicted-as-living-in-the-cities-existence-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273427.html -
A Japanese waitress with a tray, 1920 (1930).Artist: Hashiguchi Goyo A Japanese waitress with a tray, 1920 (1930).Creative person: Hashiguchi Goyo https://world wide web.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/a-japanese-waitress-with-a-tray-1920-1930artist-hashiguchi-goyo-image262756380.html -
American aviator Charles Lindbergh and his wife Anne after their flying to Japan, 1931. Artist: Unknown American aviator Charles Lindbergh and his wife Anne after their flying to Japan, 1931. Artist: Unknown https://www.alamy.com/licenses-and-pricing/?five=1 https://world wide web.alamy.com/american-aviator-charles-lindbergh-and-his-married woman-anne-after-their-flight-image60226120.html -
Stoff wird bemalt für dice Anfertigung eines Kimono in Nihon. Asia, Nippon, Asiatic, travel, 1910s, 1920s, 20th century, annal, Carl Simon, history, historical, Japanese, Geisha, adult female, women, painting, textile, producing Kimono, garment, traditional, taylor, taylor made, hand coloured glass slide Stoff wird bemalt für dice Anfertigung eines Kimono in Nippon. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, annal, Carl Simon, history, historical, Japanese, Geisha, adult female, women, painting, fabric, producing Kimono, garment, traditional, taylor, taylor made, paw coloured glass slide https://www.alamy.com/licenses-and-pricing/?5=ane https://www.alamy.com/stock-photo-stoff-wird-bemalt-fr-die-anfertigung-eines-kimono-in-nippon-asia-japan-106639750.html -
![[ 1920s Japan - Japanese Tea Ceremony Class ] — Japanese tea ceremony class at a Japanese school for women. 20th century vintage postcard. - Stock Image](https://h7.alamy.com/comp/WP6KXW/1920s-japan-japanese-tea-ceremony-class-japanese-tea-ceremony-class-at-a-japanese-school-for-women-20th-century-vintage-postcard-WP6KXW.jpg)
[ 1920s Nihon - Japanese Tea Ceremony Form ] — Japanese tea ceremony form at a Japanese school for women. 20th century vintage postcard. [ 1920s Japan - Japanese Tea Ceremony Class ] — Japanese tea ceremony class at a Japanese school for women. 20th century vintage postcard. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/1920s-japan-japanese-tea-ceremony-class-japanese-tea-anniversary-class-at-a-japanese-school-for-women-20th-century-vintage-postcard-image271825313.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'south equivalent of America'south flappers, Republic of india's kallege ladki, Germany'due south neue Frauen, France's garconnes, or Cathay'southward modeng xiaojie. The menses was characterized past the emergence of working class immature women with admission to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, India's kallege ladki, Frg's neue Frauen, French republic'southward garconnes, or Communist china's modeng xiaojie. The period was characterized by the emergence of working class young women with admission to coin and consumer goods. Modern girls were depicted equally living in the cities, beingness financially and emotionally independent and choosing their ain suitors. https://world wide web.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/modernistic-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-class-young-women-with-access-to-money-and-consumer-appurtenances-modern-girls-were-depicted-as-living-in-the-cities-beingness-financially-and-emotionally-contained-and-choosing-their-ain-suitors-image344273425.html -
A Japanese adult female combing her hair, 1920 (1930).Artist: Hashiguchi Goyo A Japanese woman combing her hair, 1920 (1930).Artist: Hashiguchi Goyo https://www.alamy.com/licenses-and-pricing/?v=ane https://world wide web.alamy.com/a-japanese-adult female-combing-her-hair-1920-1930artist-hashiguchi-goyo-image262756381.html -
Ceramics with a golfing theme, 1905-1920s. Creative person: Unknown Ceramics with a golfing theme, 1905-1920s. Creative person: Unknown https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/stock-photograph-ceramics-with-a-golfing-theme-1905-1920s-artist-unknown-28327997.html -
Abdulla Cigarettes, 1920s. Creative person: René Vincent Abdulla Cigarettes, 1920s. Artist: René Vincent https://world wide web.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/stock-photo-abdulla-cigarettes-1920s-artist-ren-vincent-74092986.html -
'Family lunch a la Japonaise', c1900, (1921). Artist: Julian Leonard Street. 'Family luncheon a la Japonaise', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-family-luncheon-a-la-japonaise-c1900-1921-artist-julian-leonard-street-135312598.html -
Ein Mann und eine Frau in Nihon bei einem Brettspiel, dem Go. Asia, Nihon, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, Geisha, man, woman, women, playing, board game, gambling, game, strategy, indoor, firm, leisure, manus coloured glass slide Ein Mann und eine Frau in Nihon bei einem Brettspiel, dem Go. Asia, Japan, Asiatic, travel, 1910s, 1920s, 20th century, archive, Carl Simon, history, historical, Japanese, Geisha, man, woman, women, playing, board game, gambling, game, strategy, indoor, house, leisure, hand coloured glass slide https://world wide web.alamy.com/licenses-and-pricing/?5=i https://www.alamy.com/stock-photo-ein-mann-und-eine-frau-in-japan-bei-einem-brettspiel-dem-become-asia-nippon-106639797.html -
![[ 1920s Japan - Japanese Women Spinning ] — Three women in yukata with a spinning wheel. This postcard is from a series about Japanese farming, called Farmer Life in Japan. 20th century vintage postcard. - Stock Image](https://h7.alamy.com/comp/WP686E/1920s-japan-japanese-women-spinning-three-women-in-yukata-with-a-spinning-wheel-this-postcard-is-from-a-series-about-japanese-farming-called-farmer-life-in-japan-20th-century-vintage-postcard-WP686E.jpg)
[ 1920s Japan - Japanese Women Spinning ] — Iii women in yukata with a spinning wheel. This postcard is from a serial about Japanese farming, called Farmer Life in Japan. 20th century vintage postcard. [ 1920s Japan - Japanese Women Spinning ] — Three women in yukata with a spinning wheel. This postcard is from a series about Japanese farming, called Farmer Life in Nihon. 20th century vintage postcard. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-nihon-japanese-women-spinning-three-women-in-yukata-with-a-spinning-wheel-this-postcard-is-from-a-series-about-japanese-farming-chosen-farmer-life-in-japan-20th-century-vintage-postcard-image271816118.html -
![[ 1920s Japan - Japanese Women Learning First Aid ] — Soldiers and women in kimono practice first aid. From a private photo album of a member of the Japanese Imperial Guard (近衛師団, Konoe Shidan) who served between 1928 (Showa 3) and 1930 (Showa 5). 20th century gelatin silver print. - Stock Image](https://h7.alamy.com/comp/2BKNK4Y/1920s-japan-japanese-women-learning-first-aid-soldiers-and-women-in-kimono-practice-first-aid-from-a-private-photo-album-of-a-member-of-the-japanese-imperial-guard-konoe-shidan-who-served-between-1928-showa-3-and-1930-showa-5-20th-century-gelatin-silver-print-2BKNK4Y.jpg)
[ 1920s Japan - Japanese Women Learning Beginning Aid ] — Soldiers and women in kimono practice first help. From a private photo anthology of a member of the Japanese Imperial Guard (近衛師団, Konoe Shidan) who served between 1928 (Showa 3) and 1930 (Showa 5). 20th century gelatin silver print. [ 1920s Japan - Japanese Women Learning Starting time Aid ] — Soldiers and women in kimono practice commencement aid. From a private photo album of a member of the Japanese Imperial Guard (近衛師団, Konoe Shidan) who served between 1928 (Showa 3) and 1930 (Showa 5). 20th century gelatin silver print. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-japan-japanese-women-learning-first-aid-soldiers-and-women-in-kimono-do-kickoff-help-from-a-private-photo-album-of-a-member-of-the-japanese-imperial-guard-konoe-shidan-who-served-betwixt-1928-showa-3-and-1930-showa-5-20th-century-gelatin-silver-print-image356361851.html -
Modern girls ('modan gaaru', besides shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'due south equivalent of America'southward flappers, Republic of india'due south kallege ladki, Germany's neue Frauen, France's garconnes, or China'southward modeng xiaojie. The period was characterized past the emergence of working class young women with access to coin and consumer goods. Mod girls were depicted every bit living in the cities, being financially and emotionally contained and choosing their own suitors. Modern girls ('modan gaaru', as well shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'southward flappers, India's kallege ladki, Germany'due south neue Frauen, France's garconnes, or Red china'southward modeng xiaojie. The period was characterized past the emergence of working class immature women with access to money and consumer goods. Mod girls were depicted every bit living in the cities, being financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/modern-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-menstruum-was-characterized-by-the-emergence-of-working-class-young-women-with-access-to-money-and-consumer-appurtenances-modernistic-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-ain-suitors-image344273423.html -
A Japanese woman wearing summer dress, 1920 (1930).Creative person: Hashiguchi Goyo A Japanese adult female wearing summer dress, 1920 (1930).Creative person: Hashiguchi Goyo https://www.alamy.com/licenses-and-pricing/?5=ane https://www.alamy.com/a-japanese-woman-wearing-summer-dress-1920-1930artist-hashiguchi-goyo-image262756382.html -
'Abdullas in Lotus-State - Snowballs', 1927. Artist: Unknown. 'Abdullas in Lotus-State - Snowballs', 1927. Artist: Unknown. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/stock-photograph-abdullas-in-lotus-state-snowballs-1927-artist-unknown-135299201.html -
![[ 1920s Japan - Rifle Practice for Japanese Women ] — Women in kimono participate in rifle practice. From a private photo album of a member of the Japanese Imperial Guard (近衛師団, Konoe Shidan) who served between 1928 (Showa 3) and 1930 (Showa 5). 20th century gelatin silver print. - Stock Image](https://h7.alamy.com/comp/2BKNK5E/1920s-japan-rifle-practice-for-japanese-women-women-in-kimono-participate-in-rifle-practice-from-a-private-photo-album-of-a-member-of-the-japanese-imperial-guard-konoe-shidan-who-served-between-1928-showa-3-and-1930-showa-5-20th-century-gelatin-silver-print-2BKNK5E.jpg)
[ 1920s Japan - Rifle Practice for Japanese Women ] — Women in kimono participate in rifle exercise. From a individual photo album of a fellow member of the Japanese Purple Guard (近衛師団, Konoe Shidan) who served between 1928 (Showa 3) and 1930 (Showa v). 20th century gelatin silverish print. [ 1920s Nippon - Rifle Practice for Japanese Women ] — Women in kimono participate in rifle exercise. From a private photograph album of a member of the Japanese Imperial Baby-sit (近衛師団, Konoe Shidan) who served between 1928 (Showa 3) and 1930 (Showa 5). 20th century gelatin silver impress. https://www.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/1920s-japan-rifle-exercise-for-japanese-women-women-in-kimono-participate-in-rifle-practice-from-a-private-photo-album-of-a-member-of-the-japanese-imperial-guard-konoe-shidan-who-served-between-1928-showa-three-and-1930-showa-5-20th-century-gelatin-silver-print-image356361866.html -
Mod girls ('modan gaaru', besides shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Nippon'due south equivalent of America's flappers, Bharat's kallege ladki, Federal republic of germany's neue Frauen, French republic's garconnes, or China'southward modeng xiaojie. The period was characterized by the emergence of working class young women with admission to money and consumer appurtenances. Mod girls were depicted equally living in the cities, being financially and emotionally contained and choosing their own suitors. Modern girls ('modan gaaru', as well shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'southward flappers, India'due south kallege ladki, Germany's neue Frauen, France's garconnes, or China'southward modeng xiaojie. The period was characterized past the emergence of working class young women with admission to coin and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/mod-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-past-the-emergence-of-working-class-immature-women-with-access-to-money-and-consumer-goods-mod-girls-were-depicted-as-living-in-the-cities-beingness-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273426.html -
![[ 1920s Japan - Modern Japanese Woman ] — A modern Japanese woman in Western-style fashion strides confidently in front of the popular Café Tiger (カフェ・タイガー) on Ginza, Tokyo, ca. 1928. Around the 1920s, women following Westernized fashions and emancipated lifestyles were known as Modern Girls (モダンガール, modan garu), generally shortened to Moga (モガ). 20th century gelatin silver print. - Stock Image](https://h7.alamy.com/comp/2BN02Y9/1920s-japan-modern-japanese-woman-a-modern-japanese-woman-in-western-style-fashion-strides-confidently-in-front-of-the-popular-caf-tiger-on-ginza-tokyo-ca-1928-around-the-1920s-women-following-westernized-fashions-and-emancipated-lifestyles-were-known-as-modern-girls-modan-garu-generally-shortened-to-moga-20th-century-gelatin-silver-print-2BN02Y9.jpg)
[ 1920s Nihon - Modern Japanese Adult female ] — A modern Japanese adult female in Western-style fashion strides confidently in front of the popular Café Tiger (カフェ・タイガー) on Ginza, Tokyo, ca. 1928. Around the 1920s, women following Westernized fashions and emancipated lifestyles were known as Modern Girls (モダンガール, modan garu), more often than not shortened to Moga (モガ). 20th century gelatin silver print. [ 1920s Nippon - Modern Japanese Woman ] — A modern Japanese woman in Western-style way strides confidently in front of the popular Café Tiger (カフェ・タイガー) on Ginza, Tokyo, ca. 1928. Around the 1920s, women post-obit Westernized fashions and emancipated lifestyles were known as Modern Girls (モダンガール, modan garu), generally shortened to Moga (モガ). 20th century gelatin silver print. https://www.alamy.com/licenses-and-pricing/?five=1 https://www.alamy.com/1920s-nihon-modernistic-japanese-woman-a-modern-japanese-woman-in-western-style-fashion-strides-confidently-in-front-of-the-pop-caf-tiger-on-ginza-tokyo-ca-1928-around-the-1920s-women-post-obit-westernized-fashions-and-emancipated-lifestyles-were-known-as-modern-girls-modan-garu-by and large-shortened-to-moga-20th-century-gelatin-silver-print-image357117469.html -
A Japanese adult female using a beni castor to paint her lips, 1920 (1930).Creative person: Hashiguchi Goyo A Japanese woman using a beni brush to paint her lips, 1920 (1930).Artist: Hashiguchi Goyo https://world wide web.alamy.com/licenses-and-pricing/?v=ane https://world wide web.alamy.com/a-japanese-woman-using-a-beni-brush-to-paint-her-lips-1920-1930artist-hashiguchi-goyo-image262756379.html -
![[ 1920s Japan - Japanese Telephone Switching Center ] — Dozens of young women in uniform work at switchboards at a telephone switching center of Fukui Yubinkyoku (Post Office). Fukui Yubinkyoku was established on April 8, 1872 (Meiji 5). Japan imported its first telephone in 1877 (Meiji 10). Female telephone operators were called Hello Girls (ハローガール). 20th century vintage postcard. - Stock Image](https://h7.alamy.com/comp/WP6RD9/1920s-japan-japanese-telephone-switching-center-dozens-of-young-women-in-uniform-work-at-switchboards-at-a-telephone-switching-center-of-fukui-yubinkyoku-post-office-fukui-yubinkyoku-was-established-on-april-8-1872-meiji-5-japan-imported-its-first-telephone-in-1877-meiji-10-female-telephone-operators-were-called-hello-girls-20th-century-vintage-postcard-WP6RD9.jpg)
[ 1920s Japan - Japanese Telephone Switching Center ] — Dozens of immature women in uniform work at switchboards at a phone switching center of Fukui Yubinkyoku (Post Part). Fukui Yubinkyoku was established on Apr 8, 1872 (Meiji 5). Nihon imported its first telephone in 1877 (Meiji x). Female telephone operators were called Hullo Girls (ハローガール). 20th century vintage postcard. [ 1920s Japan - Japanese Telephone Switching Center ] — Dozens of young women in uniform piece of work at switchboards at a telephone switching center of Fukui Yubinkyoku (Mail Function). Fukui Yubinkyoku was established on April viii, 1872 (Meiji v). Nihon imported its first telephone in 1877 (Meiji x). Female phone operators were called Hello Girls (ハローガール). 20th century vintage postcard. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-japan-japanese-telephone-switching-center-dozens-of-immature-women-in-uniform-work-at-switchboards-at-a-telephone-switching-center-of-fukui-yubinkyoku-post-office-fukui-yubinkyoku-was-established-on-apr-viii-1872-meiji-v-japan-imported-its-starting time-phone-in-1877-meiji-10-female-phone-operators-were-called-howdy-girls-20th-century-vintage-postcard-image271828069.html -
'Saki, the housekeeper sleeps on a mattress with hard pillow under a quilted kimono', c1900, (1921). Creative person: Julian Leonard Street. 'Saki, the housekeeper sleeps on a mattress with hard pillow under a quilted kimono', c1900, (1921). Artist: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/stock-photo-saki-the-housekeeper-sleeps-on-a-mattress-with-difficult-pillow-under-a-135312626.html -
Mod girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'south equivalent of America's flappers, India's kallege ladki, Germany's neue Frauen, France'due south garconnes, or China's modeng xiaojie. The period was characterized by the emergence of working course young women with access to money and consumer goods. Mod girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. Mod girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'southward equivalent of America's flappers, India's kallege ladki, Frg's neue Frauen, French republic's garconnes, or China's modeng xiaojie. The flow was characterized by the emergence of working class young women with access to coin and consumer goods. Modern girls were depicted as living in the cities, beingness financially and emotionally independent and choosing their ain suitors. https://www.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/modern-girls-modan-gaaru-besides-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-class-young-women-with-access-to-coin-and-consumer-goods-modern-girls-were-depicted-as-living-in-the-cities-existence-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273474.html -
'Abdullas in Lotus-Land - Snowballs', 1927. Artist: Unknown. 'Abdullas in Lotus-Land - Snowballs', 1927. Artist: Unknown. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/abdullas-in-lotus-land-snowballs-1927-artist-unknown-image262789771.html -
![[ 1920s Japan - Japanese Women in Kimono ] — Women in kimono. 20th century vintage gelatin silver print. - Stock Image](https://h7.alamy.com/comp/W9K57G/1920s-japan-japanese-women-in-kimono-women-in-kimono-20th-century-vintage-gelatin-silver-print-W9K57G.jpg)
[ 1920s Japan - Japanese Women in Kimono ] — Women in kimono. 20th century vintage gelatin silver print. [ 1920s Japan - Japanese Women in Kimono ] — Women in kimono. 20th century vintage gelatin silver print. https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/1920s-japan-japanese-women-in-kimono-women-in-kimono-20th-century-vintage-gelatin-argent-print-image264108644.html -
'The theatre street in Kyoto is one of the most interesting highways in the world', c1900, (1921). Artist: Julian Leonard Street. 'The theatre street in Kyoto is one of the most interesting highways in the earth', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/stock-photo-the-theatre-street-in-kyoto-is-one-of-the-most-interesting-highways-135312617.html -
Mod girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'south equivalent of America's flappers, India'due south kallege ladki, Federal republic of germany's neue Frauen, France'south garconnes, or China'due south modeng xiaojie. The menstruation was characterized by the emergence of working class young women with admission to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. Modern girls ('modan gaaru', besides shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, India'due south kallege ladki, Germany's neue Frauen, France'due south garconnes, or Communist china's modeng xiaojie. The menstruation was characterized by the emergence of working form immature women with access to money and consumer goods. Modern girls were depicted as living in the cities, existence financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/modern-girls-modan-gaaru-as well-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-grade-young-women-with-access-to-money-and-consumer-goods-modernistic-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-ain-suitors-image344273457.html -
'Family luncheon a la Japonaise', c1900, (1921). Artist: Julian Leonard Street. 'Family luncheon a la Japonaise', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/family-luncheon-a-la-japonaise-c1900-1921-creative person-julian-leonard-street-image262795668.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMY1RY/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMY1RY.jpg)
[ 1920s Japan - Illustration of Japanese Adult female in Kimono ] — Cute Japanese woman in kimono. This artwork was used every bit a poster sample (ポスターの原画見本) during the Taisho Flow (1912-1926). 20th century vintage poster. [ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Cute Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-adult female-in-kimono-this-artwork-was-used-as-a-affiche-sample-during-the-taisho-menstruum-1912-1926-20th-century-vintage-poster-image357094639.html -
Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan'due south equivalent of America's flappers, India's kallege ladki, Germany's neue Frauen, French republic'southward garconnes, or Cathay'south modeng xiaojie. The menstruation was characterized by the emergence of working class young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally contained and choosing their own suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'south flappers, India's kallege ladki, Germany'south neue Frauen, France's garconnes, or China'south modeng xiaojie. The period was characterized by the emergence of working course immature women with admission to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally independent and choosing their own suitors. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/modern-girls-modan-gaaru-besides-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-grade-young-women-with-access-to-coin-and-consumer-goods-modernistic-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-independent-and-choosing-their-own-suitors-image344273372.html -
Modern girls ('modan gaaru', likewise shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America'southward flappers, India'due south kallege ladki, Federal republic of germany's neue Frauen, French republic's garconnes, or Mainland china's modeng xiaojie. The period was characterized by the emergence of working class young women with admission to money and consumer goods. Modern girls were depicted every bit living in the cities, existence financially and emotionally independent and choosing their ain suitors. Modern girls ('modan gaaru', also shortened to 'moga') were Japanese women who followed Westernized fashions and lifestyles in the 1920s. These moga were Japan's equivalent of America's flappers, India'southward kallege ladki, Deutschland's neue Frauen, France's garconnes, or Mainland china's modeng xiaojie. The period was characterized by the emergence of working grade young women with access to money and consumer goods. Modern girls were depicted as living in the cities, being financially and emotionally contained and choosing their own suitors. https://world wide web.alamy.com/licenses-and-pricing/?v=ane https://www.alamy.com/modern-girls-modan-gaaru-also-shortened-to-moga-were-japanese-women-who-followed-westernized-fashions-and-lifestyles-in-the-1920s-these-moga-were-japans-equivalent-of-americas-flappers-indias-kallege-ladki-germanys-neue-frauen-frances-garconnes-or-chinas-modeng-xiaojie-the-period-was-characterized-by-the-emergence-of-working-class-immature-women-with-access-to-coin-and-consumer-goods-modern-girls-were-depicted-as-living-in-the-cities-being-financially-and-emotionally-contained-and-choosing-their-own-suitors-image344273509.html -
Shiseido is a Japanese hair care and cosmetics producer. It is i of the oldest cosmetics companies in the earth. Founded in 1872, it celebrated its 140th ceremony in 2012. It is the largest cosmetic firm in Japan and the quaternary largest cosmetics company in the globe. Shiseido is a Japanese hair care and cosmetics producer. Information technology is i of the oldest cosmetics companies in the world. Founded in 1872, it celebrated its 140th anniversary in 2012. It is the largest corrective firm in Japan and the fourth largest cosmetics company in the globe. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/shiseido-is-a-japanese-hair-intendance-and-cosmetics-producer-it-is-one-of-the-oldest-cosmetics-companies-in-the-earth-founded-in-1872-it-celebrated-its-140th-anniversary-in-2012-information technology-is-the-largest-corrective-business firm-in-nippon-and-the-4th-largest-cosmetics-company-in-the-world-image344273197.html -
'The bath is a big butt with charcoal stove. Frequently out of doors', c1900, (1921). Artist: Julian Leonard Street. 'The bath is a large barrel with charcoal stove. Oftentimes out of doors', c1900, (1921). Creative person: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?five=ane https://www.alamy.com/stock-photo-the-bath-is-a-large-barrel-with-charcoal-stove-oftentimes-out-of-doors-135312584.html -
'Saki, the housekeeper sleeps on a mattress with hard pillow under a quilted kimono', c1900, (1921). Artist: Julian Leonard Street. 'Saki, the housekeeper sleeps on a mattress with hard pillow under a quilted kimono', c1900, (1921). Creative person: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?five=1 https://www.alamy.com/saki-the-housekeeper-sleeps-on-a-mattress-with-hard-pillow-under-a-quilted-kimono-c1900-1921-creative person-julian-leonard-street-image262795687.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMXP7B/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMXP7B.jpg)
[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used equally a poster sample (ポスターの原画見本) during the Taisho Catamenia (1912-1926). 20th century vintage poster. [ 1920s Japan - Analogy of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Menstruation (1912-1926). 20th century vintage poster. https://www.alamy.com/licenses-and-pricing/?five=ane https://www.alamy.com/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-affiche-image357088687.html -
Shiseido is a Japanese pilus care and cosmetics producer. It is i of the oldest cosmetics companies in the globe. Founded in 1872, it celebrated its 140th anniversary in 2012. It is the largest corrective house in Nippon and the fourth largest cosmetics visitor in the world. Shiseido is a Japanese hair care and cosmetics producer. It is one of the oldest cosmetics companies in the world. Founded in 1872, it celebrated its 140th anniversary in 2012. It is the largest corrective firm in Japan and the fourth largest cosmetics company in the globe. https://www.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/shiseido-is-a-japanese-hair-care-and-cosmetics-producer-it-is-i-of-the-oldest-cosmetics-companies-in-the-globe-founded-in-1872-it-historic-its-140th-anniversary-in-2012-it-is-the-largest-corrective-house-in-japan-and-the-quaternary-largest-cosmetics-visitor-in-the-globe-image344273189.html -
Takahashi Haruka was a Japanese Fine art Deco illustrator and creative person who flourished during the 1920s and 1930s. Takahashi Haruka was a Japanese Art Deco illustrator and artist who flourished during the 1920s and 1930s. https://www.alamy.com/licenses-and-pricing/?v=ane https://world wide web.alamy.com/takahashi-haruka-was-a-japanese-art-deco-illustrator-and-creative person-who-flourished-during-the-1920s-and-1930s-image344275236.html -
'Digging clams at depression-tide in Tokyo Bay', c1900, (1921). Creative person: Julian Leonard Street. 'Digging clams at depression-tide in Tokyo Bay', c1900, (1921). Artist: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-earthworks-clams-at-low-tide-in-tokyo-bay-c1900-1921-creative person-julian-leonard-135312594.html -
Between the end of the First World State of war in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, besides equally (initially) left wing political ethics and (later on) right wing nationalism and the influence of European Fascist art forms. Betwixt the end of the First World State of war in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic blueprint every bit represented in advertsing posters, magazine covers and book covers underwent a serial of changes characterised by increasing Western influence, a growing middle course, industrialisation and militarisation, besides as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/between-the-end-of-the-first-globe-state of war-in-1918-and-the-outbreak-of-the-pacific-war-in-1941-japanese-graphic-pattern-as-represented-in-advertsing-posters-magazine-covers-and-book-covers-underwent-a-series-of-changes-characterised-past-increasing-western-influence-a-growing-heart-class-industrialisation-and-militarisation-as-well-equally-initially-left-wing-political-ethics-and-later on-right-wing-nationalism-and-the-influence-of-european-fascist-art-forms-image344272843.html -
'The theatre street in Kyoto is one of the almost interesting highways in the globe', c1900, (1921). Artist: Julian Leonard Street. 'The theatre street in Kyoto is one of the most interesting highways in the globe', c1900, (1921). Artist: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/the-theatre-street-in-kyoto-is-one-of-the-most-interesting-highways-in-the-globe-c1900-1921-artist-julian-leonard-street-image262795674.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMY1H8/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMY1H8.jpg)
[ 1920s Nippon - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a affiche sample (ポスターの原画見本) during the Taisho Catamenia (1912-1926). 20th century vintage poster. [ 1920s Nippon - Analogy of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-equally-a-poster-sample-during-the-taisho-flow-1912-1926-20th-century-vintage-poster-image357094452.html -
'Peasants of the region of Fuji not by proper noun only only as O Yama, the Honourable Mount, c1900, Artist: Julian Leonard Street. 'Peasants of the region of Fuji not by name but merely every bit O Yama, the Honourable Mount, c1900, Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-peasants-of-the-region-of-fuji-not-past-name-but-merely-as-o-yama-the-135312573.html -
'Excavation clams at low-tide in Tokyo Bay', c1900, (1921). Artist: Julian Leonard Street. 'Digging clams at low-tide in Tokyo Bay', c1900, (1921). Creative person: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/digging-clams-at-low-tide-in-tokyo-bay-c1900-1921-artist-julian-leonard-street-image262795658.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMXR6J/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMXR6J.jpg)
[ 1920s Japan - Illustration of Japanese Adult female in Kimono ] — Beautiful Japanese adult female in kimono. This artwork was used every bit a affiche sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. [ 1920s Nihon - Illustration of Japanese Adult female in Kimono ] — Beautiful Japanese adult female in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage affiche. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-nippon-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-menses-1912-1926-20th-century-vintage-affiche-image357089450.html -
'Sugariness natured grin of tea-house maid, chosen nesan - elder sister', c1900, (1921). Artist: Julian Leonard Street. 'Sweet natured smile of tea-house maid, called nesan - elder sister', c1900, (1921). Artist: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?five=1 https://www.alamy.com/stock-photo-sugariness-natured-grin-of-tea-house-maid-chosen-nesan-elder-sister-c1900-135312597.html -
'Peasants of the region of Fuji not by name just merely as O Yama, the Honourable Mount, c1900, Artist: Julian Leonard Street. 'Peasants of the region of Fuji not past name but merely as O Yama, the Honourable Mountain, c1900, Creative person: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/peasants-of-the-region-of-fuji-non-past-proper noun-but-just-equally-o-yama-the-honourable-mountain-c1900-creative person-julian-leonard-street-image262795650.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMXW31/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMXW31.jpg)
[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used equally a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. [ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used every bit a poster sample (ポスターの原画見本) during the Taisho Menses (1912-1926). 20th century vintage poster. https://world wide web.alamy.com/licenses-and-pricing/?v=i https://www.alamy.com/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-equally-a-poster-sample-during-the-taisho-catamenia-1912-1926-20th-century-vintage-poster-image357090917.html -
'Mrs. Charles Burnett in a 15th-Century Japanese Court costume. Mrs. Burnett'south poems written in Japa Artist: Julian Leonard Street. 'Mrs. Charles Burnett in a 15th-Century Japanese Court costume. Mrs. Burnett'southward poems written in Japa Artist: Julian Leonard Street. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/stock-photo-mrs-charles-burnett-in-a-15th-century-japanese-court-costume-mrs-burnetts-135312604.html -
'The bathroom is a large barrel with charcoal stove. Frequently out of doors', c1900, (1921). Creative person: Julian Leonard Street. 'The bath is a large barrel with charcoal stove. Frequently out of doors', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?five=i https://www.alamy.com/the-bath-is-a-big-barrel-with-charcoal-stove-oftentimes-out-of-doors-c1900-1921-creative person-julian-leonard-street-image262795655.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMXN6E/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMXN6E.jpg)
[ 1920s Japan - Illustration of Japanese Adult female in Kimono ] — Beautiful Japanese adult female in kimono. This artwork was used every bit a affiche sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. [ 1920s Japan - Illustration of Japanese Adult female in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used every bit a poster sample (ポスターの原画見本) during the Taisho Flow (1912-1926). 20th century vintage affiche. https://www.alamy.com/licenses-and-pricing/?v=1 https://www.alamy.com/1920s-japan-illustration-of-japanese-woman-in-kimono-cute-japanese-woman-in-kimono-this-artwork-was-used-every bit-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-image357087878.html -
'At the top of the temple steps, above Lake Biwa', c1900, (1921). Artist: Marguerite Leonard. 'At the acme of the temple steps, above Lake Biwa', c1900, (1921). Artist: Marguerite Leonard. https://world wide web.alamy.com/licenses-and-pricing/?v=1 https://world wide web.alamy.com/stock-photograph-at-the-top-of-the-temple-steps-to a higher place-lake-biwa-c1900-1921-artist-marguerite-135312571.html -
'Sugariness natured grin of tea-house maid, called nesan - elder sister', c1900, (1921). Artist: Julian Leonard Street. 'Sugariness natured smile of tea-house maid, chosen nesan - elder sister', c1900, (1921). Creative person: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?5=1 https://www.alamy.com/sweet-natured-smile-of-tea-house-maid-chosen-nesan-elder-sister-c1900-1921-creative person-julian-leonard-street-image262795663.html -
![[ 1920s Japan - Illustration of Japanese Woman in Kimono ] — Beautiful Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. - Stock Image](https://h7.alamy.com/comp/2BMXXW5/1920s-japan-illustration-of-japanese-woman-in-kimono-beautiful-japanese-woman-in-kimono-this-artwork-was-used-as-a-poster-sample-during-the-taisho-period-1912-1926-20th-century-vintage-poster-2BMXXW5.jpg)
[ 1920s Nippon - Illustration of Japanese Adult female in Kimono ] — Cute Japanese woman in kimono. This artwork was used as a affiche sample (ポスターの原画見本) during the Taisho Menstruation (1912-1926). 20th century vintage poster. [ 1920s Japan - Analogy of Japanese Woman in Kimono ] — Cute Japanese woman in kimono. This artwork was used as a poster sample (ポスターの原画見本) during the Taisho Period (1912-1926). 20th century vintage poster. https://www.alamy.com/licenses-and-pricing/?five=1 https://world wide web.alamy.com/1920s-nihon-illustration-of-japanese-woman-in-kimono-cute-japanese-woman-in-kimono-this-artwork-was-used-every bit-a-poster-sample-during-the-taisho-flow-1912-1926-20th-century-vintage-affiche-image357092321.html -
''Nor could a grande dame in an opera box have exhibited more aplomb', c1900, (1921). Artist: Julian Leonard Street. ''Nor could a grande dame in an opera box accept exhibited more aplomb', c1900, (1921). Artist: Julian Leonard Street. https://www.alamy.com/licenses-and-pricing/?v=one https://www.alamy.com/stock-photo-nor-could-a-grande-matriarch-in-an-opera-box-have-exhibited-more-ataraxy-135312621.html
richmondtamet1951.blogspot.com
Source: https://www.alamy.com/stock-photo/women-japan-1920s.html
0 Response to "Art Deco Illustration Woman Using Spinning Wheel to Make Clouds"
Post a Comment